Dicks Picks Leftovers – Volume 4


Full 14/2 leftovers:


14/2 early only (from SBD missing CR&S):


Amended back cover for 13/2 (and 14/2 late if using above for early only):


I used the DP styled leftover cover for the early show only, just because I already had it copied separately on a CD, and when I compiled the rest of the leftovers actually used an especially snazzy cover for a bootleg for the 13th (which I also stuck leftovers from the 14th late show on – the fiddled with final picture above is the bootlegs rear cover, obscuring the original track listing, three quarters of which is on DP4). The top back cover for the leftovers above is what I suppose I’d do now, leaving just the 13th leftovers to use the bootleg cover with (which, after all was the concert it originally presented the highlights from).

Confusing? Even moreso, considering DP4 is essentially the leftovers for volume 1 of the non- continued “history of the Dead” series, which I also edited out from my copies (and above covers)…. complicated! I guess the  variations above are there for personal choice of anyone who actually wants to use any of the above. The CRS omitting early show is still on gdlive‘s mp3 section. I used sugarmegs for the SBD remnants for the late shows and 13th early show, patched with the auds for the same (13th early, 13th late, 14th late).

The enhanced image for the DP4 leftover front cover, incidentally, is from a cover for the same on a no longer active Grateful Dead site called DeadPieshop, which may have some relationship with this one, which nonetheless seems to have no covers at all..

I sometimes think I spent too much time on this little project.


Dick’s Picks Leftovers – Volume 14


There’s a reasonable amount missing from DP14, so I decided to compile it. I just used the 3 audience recordings (the one for 30/11 for CD 1, the brief one for what was on it for the 2/12 and the longer one for the rest for CD2). There’s some good stuff on there, and room for some of it on DP14, which makes you think maybe Dick was a bit too severe an editor at times, even if he knew how to pick the concerts